Moody Fall at Filoli Gardens

We brought the same moody fall colors through to the reception pieces, including deep burgundies, blue velvet, patterned vellum, and gracefully watercolor florals.

We continued the use of the bride and groom’s silhouette wax seals for the escort cards and menus, layering vellum over blue velvet and printed artwork.

Our table numbers featured a pressed and white printed number on blue velvet, layered with artwork from the invitation suite and mounted on the same burgundy linen used in the invitation booklet.

Each of the blue velvet escort cards were printed with white climbing rose vines in varying positions with the wax seal details. Each guest’s name was printed in white on vellum and fixed to the bottom of each card.

Our menus layered pale pink papers and vellum layers personalized with each guest’s name and affixed with a wax seal.

Our ceremony programs layered vellum artwork covers with burgundy inside pages and were bound with a pale purple tassel.

Another small detail that we love to add are dress tags and boutonniere tags for the bridal party. Each of these tags hung on the hangers of each bridesmaids dress noting which dress belonged to which girl and were a lovely little keepsake from the day.

Envelope liners are a gorgeous way to add more details to your wedding invitation suite! I personally love using the liners and a vellum overlay to bring in a pattern for a bold statement of your overall aesthetic.

Envelope liners are essentially just one more place you can customize your wedding invitations. I love an unexpected punch of color or pattern, and envelopes just feel terribly naked to me without them.

The three liners shown above include a pattern based on Delft blue vases, with watery deep indigo blue artwork throughout the suite. The bright summer vibes of pinks and yellows tumble down the envelope and custom watercolor envelope liner of the center invitation suite, while modern lines flex and compress against watercolor and a bright white envelope for a wedding in Bilbao, Spain.

romantic | vellum | handmade paper | french blue | rose garden

an invitation suite for a wedding at the

Brooklyn botanic gardens | New york, new york

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Let’s talk paper! We have warm white machined paper, subtle stripe taupe, vellum, handmade paper in green, handmade paper envelope in blush, and machined French blue in this suite.

I really love combining different paper types. It can absolutely present a special breed of problems when printing sometimes, but the final look is definitely worth it. This is certainly not a look that is easy to curate, and not something you can usually find without a decent designer to help guild your selections.

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I love this pale green handmade paper that we selected for our reception cards. When it comes to selecting product, I usually only present paper types to our brides once I’ve selected everything I’d like to use and checked inventory to make sure I can actually get it. I want my brides to see the vision in my head as a complete idea, and presenting them with the entire suite’s paper helps them visualize.

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We also used vellum in this suite - one of my favorite papers to print on. I love how luminous the colors look! We did dual printing on both vellum pieces, overlaying white and color.

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We went with a blush handmade envelope with french blue envelope liners printing in tumbling vines for the reply envelopes. The front of each envelope was printed with matching artwork and calligraphy (of course).

Our French blue mailing envelopes have the most gorgeous white vines tumbling down the back with the return address in matching calligraphy. Our mailing envelopes were lined in matching rose artwork.

Delft Blue Inspired Wedding Invitations

A classic inspired pattern for a wedding in an old English country estate.

The Inspiration

The bride’s mother, grandmother, and great-grandmother are all avid collectors of the famous Netherlands Delft blue. Long since immigrated to the United States, her family still has strong familial ties to family back home in the Netherlands, where Delft Blue china originated.

The bride asked for deep indigo blues that reminded her of Delft without being on the nose about it. She wanted to bring in a bit more of a modern take rather than having her wedding feeling dusty and outdated.

When it came to the artwork, we also minimized the pattern itself, sticking to florals only rather than the overall pattern-work of Delft.

We selected handmade paper in earthy tones of bone and taupe to tone down the blue a bit, as well as a vellum wrap tied delicately with thread.

We also kept the typography simple and very minimal, leaving lots of negative space.

We paired white printing with the blue on the overlays, to bring in interest and depth and to soften and dilute the intensity of the overall Delft feel.

a suite with these details at 120 suites starts at $6,500 with full assembly

There are several different routes you can go aesthetically when it comes to your wedding invitations. Around here, we typically lean towards the artwork heavy side of things, specifically watercolor.

Watercolor wedding invitations still seem to be in the forefront and limelight of design these days, and I’m loving it! From simple watercolor washes to colorful florals and patterns, we love it all - granted, around here, we tend to lean towards the more complex side and avoid the simple washes (I personally find them a little dull).

Watercolors are perfect for all seasons and aesthetics, from spring pastels to deep jewel tones of fall and winter.

Each suite of artwork is unique to each client, reflecting their personal style and wedding locale. I love bringing in bits of the season and venue, tying all of their details together.

My best advice when working with an artist for your wedding invitations:

Find an artist whose entire portfolio you love. If you start with a designer that you hope can capture the look you’re going for, it’s like cramming a square peg into a round hole. This also requires you as the bride to be able to perfectly articulate what you’re looking for, which sometimes is not all that easy. You know the vibe you’re going for, and can point to pictures you love, but when it comes down to it, you will be in charge of driving the creative direction of your wedding invitations and having the vocabulary to communicate that to your stationer. This leads to frustration on both sides, with the designer not understanding what about their work just doesn’t feel right to you, and you not having the vocabulary to communicate why it doesn’t feel like what you’re looking for.

In contrast, if you find a designer whose entire vibe you dig, you can trust them to create something for you that naturally fits within the aesthetic you’re looking for without requiring you to be in the driver’s seat. A good designer has a distinctive look and feel, which takes so much of the design burden and stress off of you, allowing you to enjoy the process rather than wanting to pull your hair out.

A good stationer isn’t just a designer - they’ll also have knowledge and experience with resources, materials, printing methods, and assembly tricks that we would never expect you to know. Find someone whose work you love, and trust them to guide you through a process you can then enjoy!

I love curated postage on wedding invitations! It’s like a miniature gallery of art in support of your overall aesthetic.

As a designer, vintage postage has its pros and cons. The pro is obviously how gorgeous and unique it is, bringing in supporting aesthetics to your suite (especially if you’re going for an old-world or vintage vibe!). Sourcing vintage postage can be challenging when wedding invitation suites require 100+ stamps. Inventory also tends to change quickly, so stamps you found three weeks ago and included in your pricing and proof may no longer be available at the same price.

I personally l love the challenge of finding the perfect collection of stamps for our clients. I have several tried and true suppliers who always have great selections and will help me find any postage that we need.

Tips for including vintage postage for your wedding invitations

Some designers will offer this service and don’t be surprised when they have an additional fee attached to it (we don’t, it’s a service we include in our pricing). Sourcing the right quantities and prices for vintage postage can be time-consuming, but not nearly as time-consuming as applying them to your envelopes!

If you’re applying the postage yourself, give yourself lots of time, it takes much longer than you think!

Use glue, don’t rely on being able to lick the old stamps as the adhesive ages at different rates, depending on how old the postage is. You certainly don’t want any falling off in transit!

Be prepared to pay about 3x the rate of current issue postage when shopping for vintage postage for your wedding invitations

Pale blush, taupes, pastel spring greens, and French blues for a botanical garden wedding.

Spring Florals & Handmade Papers

French blue garden wedding invitations with tumbling vines and blooming roses

So much spring happening here! Like most of the wedding invitation suites we design, we have lots of mixed media paper types here.

We began the overall design with the blue - we knew we wanted a medium French blue…not too grey, but on the spring side. Once I had the blue sourced, I was able to collect all the other papers we used.

Roses and forget-me-nots play with each other in the artwork for this suite, incorporating spring green, blue, and blush into the watercolor that was designed and created specifically for this client.

Formal calligraphy is the epitome of formality and tradition. it’s elegant style and grace lends itself perfectly for a formal wedding or a black tie evening.

There really is no such thing as “perfect etiquette” when it comes to weddings anymore. Nowadays, weddings are all about the merging of two people and everything those two individuals encompass.

However, formal will always be formal, and what better way to introduce your guests to your formal affair than with gorgeous formal calligraphy?

Wedding calligraphy comes in so many styles, from brush calligraphy to modern, flourished to drawn out and simplistic. Today we’re looking at the formal end of the calligraphy pool, which also happens to be my favorite end to swim in.

Like all calligraphy, formal wedding calligraphy can be used as spot calligraphy (titles and names) or the whole invitation entirely in calligraphy.

Things to keep in mind when selecting a calligrapher and calligraphy style:

Make sure the style you like is legible, especially if you love the look of the entire suite in calligraphy! Your guests need to be able to read what it says!

Not all calligraphers are created equal. Some have years and years of experience, and some are new to the scene. Like with most professions, you may find that more seasoned veterans have a more streamlined process and are able to help you select a style with ease. Typically, formal styles take longer to develop and learn, so you’re more likely to come across someone with a bit more experience under their belts when looking for a formal calligrapher.

Although some of these invitations are written entirely in calligraphy, they are not written individually in calligraphy. Formal calligraphy is a graceful and time-consuming art that takes time. Is it possible to have each one handwritten? Certainly, but be prepared to pay for it! Each invitation suite written entirely and individually by hand can take anywhere between an hour to several hours, so be prepared to see pricing north of $150 per suite (for example, I would charge $350+ for each suite). However, there’s good news! Most calligraphers have a much simpler and cost-friendly alternative! We handwrite each suite once, scanning the calligraphy into an editing software (I use Photoshop) to make any alterations and corrections and get the calligraphy into the invitation design. We then print each suite, rather than writing each one individually. I have seen many a bride asking for each suite handwritten not knowing the difference, so hopefully, this clears it up!

When shopping for calligraphy invitations, you can either pair up with a designer who then hires a calligrapher with/for you, or you can select a designer that also does calligraphy (like me!). When working with more than one artist on a project, look for a seasoned designer who can take the helm in finding a calligapher/printer/suppliers that fit your aesthetic and budget to make your invitation process smooth and stress-free!

Summer weddings are all about those bold colors, full of sunshine and exuberance. I love everything from the seaside blues to sunflower yellows!

Cheerful yellows, bright oranges, leafy greens, and summer sky blues are all over this time of year! I love outdoor weddings, and the summer season is all about parasols and the bright hues of the season.

So let’s talk about summer invitations, and we’ll start with the summer invitation inspiration in this post!

Poppies are such a summer staple, and the Icelandic poppies for these bridal shower invitations are no exception! Printed on handmade paper and covered edge to edge in gorgeous formal calligraphy, these bridal shower invites take your shower game to the next level! We went way over the top with the calligraphy for this suite, pouring the flourishes over the deckled edges.

The simple save the dates, layered with Japanese cane paper and handmade paper, for a Bermuda destination wedding are pale and understated. I love the idea of going off the beaten path, so taking on the tropical vibe while foregoing blues and bright colors is definitely my type of project. The amazing tactile texture of the cane paper was exactly what our bride was looking for. We paired it with a sage green handmade paper with a deckled edge to add in even more texture.

Can we say holy cow envelope game? I loved this project! The bride got married at her parent’s property in Sun Valley, Utah, surrounded by tall grasses and wildflowers. We spent some time researching the varietals that would be blooming at the time of her wedding and built her entire suite around those, bringing in bright yellows, shades of oranges and blues, leaf greens, and pale pinks and peaches (I shocked myself with how many colors I was able to build into this suite!) Bits of line botanicals peak out from the corners, creating some interesting negative space. At some point, we’ll also look at the suite of woodland creatures we also created for this suite (owls, foxes, and bears, oh my!).

These summer invitation suites have such different looks and feel to their aesthetic. I love the directions each of these brides went to reflect their personal style in their wedding!

The spring season is all about the emergence from winter, flowers blooming, and the world exploding into color. A spring wedding, regardless of venue and locale, can feel the same way!

Pastel florals, delicate blooms, pale pinks and peaches, all exude the feeling of the season.

So let’s talk about spring invitations, and we’ll start with the spring invitation inspiration in this post!

The first image on the left above features pastel pinks and blushes, pale blues, muted olive greens, and dark blues. We balanced the watercolor florals with the negative space created by line botanicals on both the custom printed artwork on a warm white envelope as well as the envelope liner. The envelopes were addressed in a pale blue modern calligraphy style that was designed for the client’s suite.

The center image above is one of my personal favorites. It has a different feel than the watercolor artwork suites that have become our signature, but I love the variety of textures that we achieved in mixing papers together. This suite features more traditional artwork, printed in deep rust, rose pink, olive green, and dark and light blues. The paper featured in this suite features warm whites, deep rose, pumpkin orange, pastel blush, and light blue, all handmade paper. The invitation was blind pressed for an overall texture on paper created in India by a female-owned, operated, and staffed company that pays a living wage to all their employees (this is important to us!). The additional paper selections were hand-produced here in the U.S. Handmade paper is such a gorgeous product to work with, but can be a nasty beast to print on (but totally worth it, IMO). Both envelopes were lined in custom envelope liners featuring artwork from the suite, and a pastel blush vellum overall completed the suite.

Last but not least in today’s spring invitation inspiration round-up is an accordion-folded save the date on a gorgeous warm white paper with a subtle overall texture. The florals for this suite are built around peach, lavender, pale blues, and muted olive greens. We went with traditional calligraphy with lots of flourishes for this suite. We easily could have brought in a more modern style to create a more playful overall look and feel, but selected the formal to reflect the level of formality of the overall event. The peach spring save the date was tied together with a gorgeous peach silk chiffon ribbon.

It amazes me that these suites are basically all featuring the same color palette (which I only realized as I was typing this and noticed that I had typed the same colors in all three projects!). It shows how different each bride is in how they see their day and how we work with them to develop a design unique to them!

Digitizing calligraphy used to be part of my job that I loathed. I found it tedious and unpleasant and felt like my time could be better spent doing literally anything. These days, I find it slightly more cathartic.

A few steps: The first thing I do before I even get to this stage is do a sample sheet of calligraphy for my clients. I don't maintain a universal sample sheet for several reasons - first is that I don't want to be locked into any handful of calligraphy styles, and my styles tend to evolve fairly quickly (which also means I don't want to do a new calligraphy sheet once a month). I also want the client to see what their names will look like in each style, so the list of options I provide to them is of their actual names.

Another trick is that I don't give them all the options in the world. We've discussed their style and overall look and feel, and I put together a list based on that. If they're doing a modern affair, I'm not going to show them Spencerian or super flourished Copperplate. I also don't present clients with font selections that are really close to one another - I can tell the difference, but usually, a client can't. I show them a handful of fonts that are all very different from one another.

Ok, so that was all before I even get to writing. Once I have a selected calligraphy style from the client, I do all their spot calligraphy (also note that at this point, I've also completed and they've approved their sketch, so I know where the calligraphy will be needed so I can avoid needing to go back and do more). We then scan, adjust our levels, and correct any mistakes or bumps (ahhhem....too much coffee...oh let's be real, it's not coffee, it's Redbull).

Once we have all out lines smoothed out, I cut apart each line or section and label each layer. I then start a lettering file that I name VERY SPECIFICALLY as _Client Name LETTERING. This places the file at the top of the client folder and the ALL CAPS makes it really easy to spot. We do the same with our ARTWORK and PRINT files which makes everything really easy to see when I'm putting together proofs and dropping lettering and artwork into a million files.

I hope these tips for a professional calligrapher as well as showing you a small example of what's it's like being a working artist and will be useful to you. If you enjoy my artwork and crave more glimpses behind the scenes, please subscribe to my channel and hit the like button. Also, please leave a comment on the video with questions and requests.

Design House of Moira on the Web:

Instagram - www.instagram.com/designhouseofmoira

Websites - www.designhouseofmoira.com | www.designhouseprepschool.com

One of my favorite projects last year was creating these gorgeous French blue invitations for Jess and Roberts wedding.  We incorporated the same pale shade of blue throughout her wedding stationery.  Her invitations were large in size, using a marquis envelope in 7x7 square.  Each invitation was hand watercolored with foil printing in pale gold and paired with white cotton cards with French blue printing.  Each suite was tucked into it's envelope and sealed shut with a large seal bearing the couples artwork and crest.  

View the entire wedding gallery here, featured on Style Me Pretty. 

Photography: Love & Light Photographs | Cinematography: Endless Wave Studios | Event Design: Gilded Lily Events | Floral Design: Reynolds | Wedding Dress: Mark Zunino | Cake: Carlo's Bakery | Stationery: Design House Of Moira | Jewelry: Jenny Packham | Bridesmaids' Dresses: Monique Lhuillier | Makeup: Make Me Up Eva | Hair: Up & Out | Band: Almost Easy Band | Groom's Attire: Calvin Klein | Groomsmen's Attire: Calvin Klein | Officiant: Reverend Donald Gebhard | Ceremony Music: Shrewsbury String Quartet | Transportation: ShooBoo Shuttle | Venue: Mallard Island Yacht Club | Bridal Boutique: Kleinfeld Bridal | Bridesmaid's Accessories: Olive + Piper | Bridesmaids' Robes: Cloud Hunter | Cake Topper: Table Setting is My Life | Candleabra Rental: Two of a Kind | Ceremony Lighting: Ocean Tents | Custom Hair Accessories: Foolish Ginger | MOB + MOG Robes: POSY | Maid of Honor Dress: Adrianna Pappell | Rentals: Dovetail Vintage Rentals | Ring Bearer Pillow: JfyBride | Signage: Design House Of Moira | Veil: Mark Zunino | Vintage Hat Box: Trousseau & Co | Welcome Gifts: That's Darlin'

gorgeous wreaths by Willdfield Paper Co. 

If you missed our awesome video series for the Modern Calligraphy Summit last year, you're in for a treat!  We're relaunching the series for your viewing pleasure!  Follow the link below and enroll with your email for the free video series! 

December 1st:  Hand lettering for holiday cards with Drew Europeo

December 2nd: Mixing metallic inks with ME!! (as my covert ops name, Victoria Rothwell)

December 3rd: Creating gorgeous holiday watercolor wreaths with Annie from

You can also enroll for the upcoming Modern Calligraphy Summit 2.0 from December 6-9th! 

It's Monday morning and I'm greeted by a featured post of my work on Oh So Beautiful Paper!  That's a perfect way to start a week!  You can view the featured post here!

Working with Marina from Bustle Events, we designed this suite for an elopement celebration, using the phrase “we fell in love, so we ran away” as the theme. We really wanted to embrace the destination aspect of the celebration, tying in natural edges and shades of blue.  The invitation itself announces their elopement and invites guests to join them at the bride’s parents home upon their return home. We really loved the idea of using paper with a raw edge and choose to go with handmade 100% cotton rag paper from Fabulous Fancy Pants. We paired the handmade paper with slooping brush lettering, and paired it with a formal serif font.

I also hand painted a large piece of artwork for the bride in monochromatic blues, and used that artwork to be printed as their envelope liners. Each invitation suite was wrapped in hand dyed, hand frayed silk ribbon and tucked into a crisp white cotton envelope.  The cocktail menus were printed on the same 100% cotton rag paper and featured a “his & hers” signature cocktail. We also created a larger scale artwork piece of the quote we used in the suite featuring the couple’s wax seal.

Design, printing and production: Design House of Moira
Ring box: Lang Antiques
Paper: Fabulous Fancy Pants

Photography: Design House of Moira

One of my favorite clients (I say 'favorite' but all my clients are pretty fricken awesome!), Miss Jess Galfo, fashion blogger of Dressed by Jess and blogger bride at Style Me Pretty met up with her completely fab event designer to have a sit down recently to chat about style, paper, and all details weddings!  Paige from Gilded Lily Events is working with Jess on her wedding design, and I have the pleasure of creating her paper pieces for her.  They cozied up in Paige's darling office to pour over paper options, printing methods and wedding details.  The lovely afternoon was then shot by Love & Light Photography and was featured on Style Me Pretty today!  Jess turned the tables a bit and put on her hat as blogger and picked Paige's brain a bit about owning a wedding design company and working with clients.  Check out her full interview the rest of the gallery

From Paige:

There are plenty of ways to showcase your personality on your wedding day, but what elements are the most important?

I truly believe that love is in the details. However, couples can easily get weighed down by all of these “little” things. I like to remind brides-to-be that it is important to really zoom in on the areas that will make the most impact. If you think back on a picture of a wedding that you loved, you probably didn’t notice everything that was going on around it. Focus on what is the most important and highlight it. For an overall beautiful, cohesive look, I believe the flowers and paper goods are the most important elements. They carry the wedding day story and are usually the first and last thing that your guests will take note of.

Invitations are the guests’ first peek at the formality of the wedding along with the type of event being thrown. How can brides keep them creative, yet cohesive?

Save the Dates and invitations are the first connections that your guests will have with your wedding and it sets the tone for what to expect for your day. Before you send out your invitations, make sure you have a good idea of the color palette and key design elements that you are going to use throughout your wedding day. Custom invitations are the way to go and are not just a luxury item. Be clear with your graphic designer or artist of what you want and how they can work within your budget to make your invitation dreams come true.

Check out more from Paige on Style Me Pretty!

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This has been such a long time coming!!  The Modern Calligraphy Summit begins at the end of the month and I'm so excited to get started!! 

Before we can begin, we have one more round of open registration before we close the doors!  Registration will run through the end of the week, so don't delay. 

Lets review what we're talking about here:

The Modern Calligraphy Summit is an intense calligraphy workshop taught by nine of the best calligraphers from around the world.  So often interested students miss out because an instructor isn't in their area or they cant get to the workshop for scheduling reasons.  We've solved those problems!  The summit is entirely online and we have students joining us from 38 countries (and counting!)

The summit will run for two weeks, adding a new video each day.  Classes will range frombasic lettering, to brush lettering, developing your style, brush lettering, flourishing, envelope layout and so much more!  We'll also be hosting two live webinars at the end of the summit to address business and pricing questions as well as studio/work space questions.  Our private Facebook group for all attendees has also proven a wonderful platform for encouragement, Q&A and interaction with professionals.  You'll have lifetime access to the summit videos to check back in and watch them again and again.

This summit is the first of its kind and I'm thrilled to be part of it!  This is such a great way to kick start your calligraphy business, further your hobby, or pick up a new one! 

Want to get signed up before it's too late?  Click here!

I've been pretty obsessed with marbling lately, and this suite is nothing short of all sorts of marbled goodness. 

Gold engraved lettering, pale silk ribbon, and marbling in shades of grey, it just doesn't get any better!

The entire suite was topped off with a gold wax seal, bringing in formality and tradition.

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see more from this gorgeous suite in the full gallery.

A destination affair with Strawberry Milk Events, Laura Gordon and Engaged! Magazine in the Emerald Aisle produced some really dreamy images!  I had the pleasure of collaborating with these lovely ladies on a gorgeous invitation suite,  featuring lots of calligraphy, gold and teal foil printing, custom wine bottle labels and tags, and vintage postage. Check out the full magazine feature here!

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I've worked with Claudia of Fig.2 Designs (@fig2design) in the past, and it was my absolute pleasure to team up with her again on her Letters for Love project, supporting Sweaters and Sustenance (@sweatersandsustenance) who provides warmth in the form of coats and sweaters but also in the form of care and a helping hand. 

Myself, along with 7 other calligraphers, have teamed up with Claudia and her amazing design and printing team to create a collection of love cards in support of this cause.  Lettering from:

Me! Design House of Moira @designhouseofmoira

Molly Jacques @mollyjacques

Laura Hooper Calligraphy @lhcalligraphy

Graceline Art - Jenny Sanders @jenny_sanders_

M M Ink Studio - Moya Minns @mminkstudio

Fleur Calligraphy - Kathryn Christenbury @fleurdeletters

Paperfelt - Brenny Giovis @paperfelt

Poppy & Scooter - Jessica McSweeney @poppyandscooter

Claudia has us each write "love" or a love quote and features it on the front of the notecards.  This years theme of pink and navy is just darling!  My card this year features the verse, "I have loved you with an everlasting love" from Jeremiah 31:3.  If you're in the market for Valentines Day cards, hit up the Fig.2 shop and help us support this amazing cause!

So I'm a little behind in showcasing some of the features I've had the pleasure of working with.  Ok, a lot behind.  Later this week, I have the full feature from Engaged! Magazine featuring this invitation suite, but for now we'll take a look at some of the paper details!

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The suite is foil printed in a pale antique gold and teal on cotton paper with deckled edges.  We alternated the colors on each piece, keeping the overall look balanced.  The final suite was stacked up and topped with a thin piece of velum with an illustrated angel, a statue featured at the castle.  The whole thing was then wrapped with a thin piece of parchment reading "from this day forward."  I also created tags for the guest welcome baskets and custom wine labels to follow the same design. The place cards also featured deckled edges and gold ink.  Stay tuned this week to see the whole feature from the magazine!

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First photo from the lovely Laura Gordon.